Задание №50067 ЕГЭ Английскому языку

18. What is the author's point expressed in the last paragraph?

1) Graffiti has now become mainstream and can make artists a lot of money.

2) Graffiti is not a good way to become a respected artist.

3) Some of the most popular graffiti artists end up being exploited by the art world.

4) Rich artists are killing the idea of graffiti.

A brief history of graffiti

The first drawings on walls appeared in caves thousands of years ago. Later the Ancient Romans and Greeks wrote their names and protest poems on buildings. Modern graffiti seems to have appeared in Philadelphia in the early 1960s, and by the late sixties it had reached New York. The new art form really took off in the 1970s, when people began writing their names, or ‘tags’, on buildings all over the city. In the mid seventies it was sometimes hard to see out of a subway car window, because the trains were completely covered in spray paintings known as ‘masterpieces’.

In the early days, the ‘taggers’ were part of street gangs who were concerned with marking their territory. They worked in groups called ‘crews’, and called what they did ‘writing’ – the term ‘graffiti’ was first used by The New York Times and the novelist Norman Mailer. The article was about a young street artist from New York under the nickname Taki183. He worked as a courier, so he spent a lot of time on the subway. There, at every station he visited, he left a mark with his name. Over time, there were so many of them that not only passers-by, but also local journalists paid attention to them. The artist became the first replacement in the history of graffiti and is considered one of its founders.

Art galleries in New York began buying graffiti in the early seventies. But at the same time that it began to be regarded as an art form, John Lindsay, the mayor of New York, declared the first war on graffiti. By the 1980s it became much harder to write on subway trains without being caught, and instead many of the more established graffiti artists began using roofs of buildings or canvases. Artists earned additional respect for tags in hard-to-reach locations, such as at high altitudes or in protected areas. Then the priority was not given to the visual side, but popularity was measured in the number of marks throughout the city.

The debate over whether graffiti is art or vandalism is still going on. Peter Vallone, a New York city councillor, thinks that graffiti done with permission can be art, but if it is on someone else’s property it becomes a crime. ‘I have a message for the graffiti vandals out there,’ he said recently. ‘Your freedom of expression ends where my property begins.’ On the other hand, Felix, a member of the Berlin-based group Reclaim Your City, says that artists are reclaiming cities for the public from advertisers, and that graffiti represents freedom and makes cities more vibrant.

For decades graffiti has been a springboard to international fame for a few. Jean-Michel Basquiat began spraying on the street in the 1970s before becoming a respected artist in the ’80s. The Frenchman Blek le Rat and the British artist Banksy have achieved international fame by producing complex works with stencils, often making political or humorous points. Works by Banksy have been sold for over £100,000. Commerce has become a characteristic feature of modern graffiti culture. As large companies realized the popularity of street artists' drawings, artists became increasingly involved in advertising campaigns, and manifestations of graffiti in popular culture can be found everywhere — from advertising and films to video games.